There are many places on the big world wide web where a photography website can show up. We took the time to list a few. Try not to be overwhelmed at how much work we have put into this project. Our photography business is important to us and we want the world to know we are here for portraits and other kinds of photography including headshots, group photos, graduation and senior pictures plus we do funeral photography too. We have been in our business for many years. We have photographed many people and get a lot of reviews. We love the photography business. We enjoy working with people.

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Youtube Video of Senior Portrait https://goo.gl/GTbTBc

San Antonio Senior Pictures Blog Post https://goo.gl/Zo9zRN

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Senior Picture Document https://goo.gl/4cbNea

Map to Richard’s Photography https://goo.gl/kyFDXU

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Quora Profile https://www.quora.com/profile/Richard-Rives

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Flickr Profile https://goo.gl/PqyDTb

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Thumbtack Profile https://goo.gl/DtZ2uF

Headshots for Business https://goo.gl/fxNQ9J

Outdoor Headshots https://goo.gl/JCHvSH

Family Portraits https://goo.gl/u6gJTw

Reviews on Google https://goo.gl/9sHf7J

Yellowpages Listing https://goo.gl/2c9rDb

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Selecting the Right lens for Portraits

Every owner of an interchangeable-lens electronic camera is confronted with the enjoyable predicament of picking the most suitable lenses to buy, then deciding which to use. Nevertheless, there are no guidelines to go by; much depends on your individual style and what you currently own. To help you decide which lenses to buy and how finest to use them, we provide the following. Normal lenses: Today, numerous 35mm professional photographers opt for a short zoom rather of a 50mm, but both have their virtues. If you require a quickly, general-purpose lens in the f/1.4-f/2 variety for available-light work, absolutely nothing can beat a 50mm. Positives: Usually more compact, lighter than a short zoom; frequently less costly; normally very sharp; offers brighter watching image. Negatives: No zooming; you should make up by moving the video camera. Brief zooms offer framing versatility, often in a bundle very little larger than a 50mm lens. A 35-70mm f/3.5 -4.5 is usually the tiniest and least costly, however a 28-70mm f/3.5 -4.5 is better for shooting interiors, vistas, and confined quarters since it gets down to 28mm. Consider a compact 35-105mm or a 35-135mm zoom if you shoot portraits, nature, or sports at close range. Typical zoom positives: Equivalent to 2 or more single focal length lenses in a helpful, responsive bundle, it offers intermediate focal lengths; there’s less need to change lenses. Regular zoom negatives: Moderate aperture (normally f/3.5 -4.5) limits low-light shooting and focusing precision with manual focus, affects seeing brightness. Zooms have the tendency to be larger, heavier, more costly than 50mm lenses. Wide-angle lenses: They range from 24mm (verging on ultrawide) to 35mm (verging on semiwide). Just like normals, the choice is in between extremely compact, single-focal-length lenses of fairly broad aperture (f/2-f/2.8, a few f/1.4 s) and moderate-aperture zooms (around f/3.5 -4.5), which offer remarkable framing flexibility. For positives and negatives on both types, see normal-lens area above. Numerous wide zooms, such as 24-50mm, 25-50mm, 28-50mm, etc., incorporate normal in addition to wide-angle focal lengths, which is an advantage.

 

Using Wide Angle Lenses For Portraits

A couple of (for instance, 21-35mm, 18-28mm) combine ultrawide (21mm and listed below) and large focal lengths (see ultrawide area below). Lots of are very little bigger or heavier than a 50mm. Although 25-50mm or 21 -35 mm may not sound as outstanding, it’s the zoom ratio (long divided by brief focal length) that counts. If you need a truly quick wide-angle (for example, 35mm f/1.4, 28mm f/2, 24mm f/2) for available light or shooting portable with sluggish film, adhere to single focal lengths. Ultrawide-angle lenses: With focal lengths of 21mm and below in 35mm format, they offer extreme angular protection of 90 degrees or more. Positives: Ultrawides, by virtue of low image zoom, offer excellent depth of field; most likely to yield sharp-looking images when handheld at sluggish shutter speeds. Exceptional for broadening tight interior spaces, catching vistas; for intimate photojournalism, street photography. Negatives: Apparent point of view distortion, though helpful for remarkable or comic results, is problematic in portraiture. Prevent placing subjects near edges of the frame or prominent features, such as noses, in the foreground. Medium tele lenses: Sometimes called portrait lenses, these optics in the 85-135mm variety are fine for portraiture, lessen evident viewpoint distortion, and supply practical working distance when shooting faces close up. Many tele zooms work well in this variety, but they’re heavier, longer, and slower than single focal length lenses.

How Using a Long Lens Can Capture Great Images

Long tele lenses: Traditionally, any lens over 135mm for 35mm photography is a long tele. Unless you require a lens that’s really long and extremely quick (such as the optically superb but large, heavy, and extremely costly 300mm and 400mm f/2.8 s used by expert sports professional photographers), a tele zoom is the most versatile and economical choice. Long tele zoom negatives: larger size and weight. Normal zoom positives: Equivalent to 2 or more single focal length lenses in an useful, responsive bundle, it supplies intermediate focal lengths; there’s less requirement to switch lenses. Medium tele lenses: Sometimes called picture lenses, these optics in the 85-135mm range are fine for portraiture, lessen evident perspective distortion, and supply convenient working distance when shooting faces close up. Lots of tele zooms work well in this variety, however they’re heavier, longer, and slower than single focal length lenses. Long tele lenses: Traditionally, any lens over 135mm for 35mm photography is a long tele. Unless you require a lens that’s extremely quick and really long (such as the large however optically superb, heavy, and extremely pricey 300mm and 400mm f/2.8 s used by professional sports photographers), a tele zoom is the most flexible and economical choice.